Last Month's Painting: Lost Patrol

For this November I’ve being trying to paint the entirety of the Lost Patrol boxed set. As one of Games Workshop’s smaller releases, this wasn’t a huge task and I managed to successfully paint the entire set in slightly less than a month.

Not that many models, but for me, that's
pretty good going for a month.

Lost Patrol was a game released a few years ago as part of Games Workshop’s seemingly endless slew of board games based on its properties it was putting out at the time, and like the slightly-too-obsessed collector that I am, I had to have them all. Some were better quality than others, and from what I understand the actual game isn’t one of Games Workshop’s better efforts. Like Space Hulk before it, it was once again a small group of Space Marines vs a much larger swarm of Genestealers, trying to find the macguffin before they all die, though in this game they are Scouts rather than Terminators. Unlike Space Hulk, however, there were no new models designed for it – they were all currently-existing models. The game used a very simple rule set aimed at younger players, a noble idea, but it had the effect of stacking the game quite heavily in favour of the Genestealer player. And even though there are a huge number of ways the map can be arranged, there is only one scenario which limits its long-term appeal. The latter two are things I’ve heard, by the way. I haven’t actually played the game yet.

The Scouts were a lot of fun...

But we’re here to talk about the painting rather than the quality of the game, and here I faced some… not necessarily new challenges but re-visiting some old ones. I have, of course, been painting Space Marines for pretty much the entire time I’ve been invested in the hobby, even if most of them were Chaos. Tyranids have been less frequent though regular readers will recognise the aesthetic at least from the Space Hulk set. The only time I’ve ever done Space Marine Scouts before, though, was  nearly 10 years ago where I had the idea of building a scout army to represent the rebuilding of the Black Consuls chapter, and I’ve painted Human faces intermittently since then (I tend to prefer helmets.) I didn’t do a terrible job but my lack of experience with painting faces shows, I think – some of those eyes are very sloppy indeed! If painting is a skill I’m looking to develop, I might consider doing an army with exposed faces to give me a little more practice! Elsewhere, the Scouts were painted in Blood Angels colours, which was nothing new to me since I’d painted the Space Hulk set in the same way and my Word Bearer army is roughly the same colour with different trimmings.

And painting Genestealers this way is a
quick and effective paint scheme.

The Genestealers were interesting. As presented on the box art and the photographs on the back, they appear to be a splinter fleet of Hive Fleet Kraken; largely a bony white colour with red claws. With Hive Fleet Kraken, the carapace would usually be red, and the flesh would be more of a sepia-colour, but this way gave them a more skeletal appearance that would be terrifying in large numbers. After watching a video guide on Youtube and buying a red wash, I was struck by how little time it took to get an effective-looking set of models – to game standard, at least; I wouldn’t expect to win any painting competitions with this – and decided that if I ever chose to paint a Tyranid army in any significant numbers, this is how I’d do it. I’m pleased with the overall result, and I’m glad I now have an idea of what a large Tyranid army might look like for me, should it become an option to paint one.

I think what’s great about these boxed sets is that it gives you the opportunity to try painting models you wouldn’t normally paint. I wouldn’t normally choose to paint Tryanids but I’ve thoroughly enjoyed painting the Genestealers from Space Hulk and Lost Patrol – and expanding my horizons on where I can take my painting can only be a good thing. I’m not short of them but don’t know what the next one will be yet, we shall see…

Last Week's Games: Roleplaying Games, Warhammer Quest, Skyrim

It’s been a while since my last blog post. There have been a few reasons for this: The main one is that I’ve been involved in a theatre project for the last three weeks which has taken up a lot of my spare time. Barely a week has gone by since September where I haven’t had to adjust my working patterns to accommodate one thing or another. Also, my mental health hasn’t been at its peak over the last month. It’s nobody’s fault, nothing’s happened, but in the small amount of quiet I’ve had over the last few weeks, I’ve found it difficult to keep my mind focussed enough to find something interesting and relevant to say.

I’ve been looking at new campaign ideas for Dungeons and Dragons, with the aim of putting together a framework for a whole campaign without getting bogged down in small details. The idea is that if I ever get the chance to run it, I’d develop it one session at a time out of the framework and ideas I’m writing now. However, I’d really like to play as well so I’ve been looking in to trying to find an online group, using mainly Roll20 as a source. This hasn’t been successful; timing often gets in the way but also there are so many people trying to join games on Roll20 it often feels like applying for a job. But I’ll keep trying and we’ll see how it goes.

Sadly, I lost a friend I knew through roleplaying games the week before last. Andy from the Black Country Role-Playing Society passed away in hospital; I don’t know any more than that and I would prefer not to ask. Andy was one of the first people I was in an RPG with; he was one of the players in Pathfinder: Souls for Smuggler’s Shiv. He was also in the first game I ran as part of the group. After that, he ran another Pathfinder game: Council of Thieves, in which I played a couple of fighters (I had to change my first one after I learned about builds!) It was a good game to be a part of, and I was able to help Andy run it by occasionally looking up a rule to resolve a dispute or explain a ruling in ways that made sense. I had to leave the game eventually when life got in the way, but Andy remained a constant and committed presence in the group and I’m sure everyone there will miss him very much. I’m glad I got to see him a few weeks ago when I had the opportunity to return to the group; you never know when it’s going to be the last time.

Imagine five, six, seven of these spiders
firing off their webs at you...

With video games, I’ve been having problems with spiders. In Warhammer Quest, I’m fighting some high-level spiders – Venomous Gigantic Spiders, or something along those lines. The problem I’ve been having with these is the way their AI is programmed. They have two ways of attacking you – bites, which can poison you, or webs, which stop you from moving. Bites are the nastier of the two moves, but they will only do this if you move close enough to attack them. If not, they’ll keep firing their webs at you, with the result that whatever is left of your party can’t move or act in any way. This slows the game down to the point where I had to quit out of the dungeons and start again, and since they can take quite a while to clear, this isn’t fun!

Apparently those things either side of its mouth
are its sexual organs. Doesn't bear thinking about...

I’ve also started playing Skyrim again, as an Argonian Two-Handed Weapon fighter. I’ve learned a few things from my time with Dark Souls and I’m a lot better equipped to take on the game now. I like how the game is developing, but I don’t like the Frostbite Spiders. Horrible things. They’re huge. It’s certainly not the first time I’ve tried to play through Skyrim and I can’t remember how far I’ve got in the game before, but my character is at level 18 now and I’m enjoying it so far so hopefully I’ll be able to see it through to the end this time.

Last Week's Games: Warhammer Quest and Escape Game: 50 Rooms 1

 I don’t know if anybody noticed, but most of the games I’ve been playing lately have been long-form RPGs, strategy games and platformers which I’m taking a fairly decent amount of time to complete 100%. One of the problems I run in to when I’m doing this blog is trying to find something new and interesting to say about the games I’ve been playing in that time. However, this week, two opportunities presented themselves, with Warhammer Quest and, er, Escape game 50 rooms 1.

Warhammer first, then. I’ve described the game in previous blogs so have a look at those if you want to know what it’s like. But I discovered a cheat. Well, that’s not true, I doubt I’ve “discovered” anything; I won’t have been the first to have found this. And it’s not even a cheat, really, it’s… not a bug either, more an exploit in the game’s programming. Here’s what it is:

"I saw a rat! Where?"

At some point during the game your party goes to Altdorf, the capital city of the Empire. Here you are given three missions against the Skaven.[1] On the second of those three missions, you’re given half of your pay at the beginning – 750 gold. You then play through the mission, where you have to drop a gas bomb in the Skaven tunnels – a thrilling battle in itself, as you only have a limited time to escape once the bomb has been set, and when I played it, it literally came down to the last available move! Immediately after completing the mission, you’re taken to a cutscene (which in this game rarely amounts to more than a text scroll, from what I’ve seen so far) where you’re paid the rest of your fee; another 750 gold. If you exit the game at that point and come back to it, the scene triggers once more and you get the 750 gold again – and you can repeat this process as many times as you like for what I assume is a potentially unlimited amount of gold! I did it twice: the first was quite by accident, as I had to leave my computer pretty quickly after finishing the mission, and the second was to check what was happening. I didn’t exploit it any more than that – I prefer not to cheat through a game – but it’s there if you need it!

The other game I played this week was Escape game 50 rooms 1, which I downloaded onto my Android phone last week and I’d beaten by the following Friday. It’s an escape room game, where you must solve puzzles in order to proceed. You find various keys for various doors, items to solve other puzzles, and the occasional number and symbol puzzle. If you find the way to open the door, you move on to the next room.

What's the connection between the
TV and the fish on the opposite wall?

Some people might think games like this are trashy timewasters, and those people aren’t necessarily wrong; it’s hardly A-Grade material. The number puzzles rarely look like the thing they’re representing. A key code panel, for example, will rarely have their numerical display in an Arial font! And some of the solutions to the puzzles are horribly obtuse. Even without that, fifty levels of essentially the same thing can get dull after a while, not that a mobile game is intended for extended play. But when it goes for it, really goes for it, Escape game works well. With most of the puzzles being confined to one room, there’s little wandering around becoming hopelessly lost and confused. The rooms you’re trying to escape from range from hotel rooms, to late 90s offices, to eerily decorated children’s rooms, to some quite frankly bizarre one-shots like ancient Egypt, a cave, and a grisly morgue. The creepy soundtrack, the abstract art, and the level design that looks ever-so-slightly off, creates the unnerving impression that you – the player character – are trying to escape from a place you don’t belong.

I’ve mentioned it here rather than giving it a full review; it’s a free download and it’s not a game I would consider I had to beat, but Escape game is a good experience that I’m pleased I’ve had.

---

[1] Rat Men, if you don’t know.

Last Week's Games: Painting Backlog, Necromunda, Spyro 2

The biggest thing that happened to me this week gaming-wise was completing the painting of my Space Hulk boxed set. I tend to keep anything I want to say about painting separate these days, so I’ve written a blog for them that you can read here. I’m mentioning it in this post because it inspired me to think about painting my models, how many of them I still have to do, and whether ever actually doing it is a realistic option for me.

Painted, and ready to play...

I’ve run into the same problem that every wargamer / hobby gamer runs in to at some point: The backlog. I’ve bought a lot of models from hobby shops in the past, most of them Games Workshop, some of them not, and for one reason or another never got around to painting them. The reason for this is mainly because I give priority to whatever army I’m currently working on, as there is a certain expectation that they will be painted should I ever wish to use them in a shop game. At least, that’s the case with Games Workshop, or Warhammer as the shops are called now. Other, independent stores may be a little more lenient about it but having all my models painted is a standard I set for myself during my time as staff. The box games that I’ve been buying have therefore taken a back seat. This changed during lockdown, where I had more than the usual amount of free time (though not much!) and once I’d painted all the models from the Black Legion force I was working on, I made a start on the Space Hulk set. You’d think, with not even 40 models in the set, it would have taken me a little less than eight months, but somehow that’s where we are. I paint intermittently; always have, always will. But that means that my backlog of models is taking a long time to get through.

So, what does that mean? Is clearing my backlog a realistic goal for lockdown? Possibly; it’s been going on for longer than I originally anticipated, and with the UK Conservative Government changing its strategy about as often as most people change their clothes, it could go on for a great deal longer before we’re finally clear of Covid-19. It’s not likely, though. I’ve got quite a few sets to get through! However, it may be possible to make a large dent in it. And that will be fine too.

Close Combat doesn't happen often,
but when it does, it's brutal!

With video games, there’s not much new happening this week. I’ve been playing Necromunda: Underhive Wars, reaching the part in the story campaign where the three factions make an uneasy alliance to reach their goal. I’ve got a fairly shrewd idea on how that’s going to work out for them, given that their alliance is about as stable as, well, the UK Conservative Government. It will be interesting to see how the story ends, I’m not too far away from it now – but as the missions take anything up to an hour and a half to beat, and that’s if you manage it first time, I need to make sure I’m giving myself enough time when I sit down to play. Even after all that, I’ve still got to go through the warband mode, which is the next step!

Struggled to find a screenshot of the
underwater levels from the PS4 version...

Time management is an easier task with Spyro 2: Ripto’s Rage. I’m about halfway through the game now, having 100%ed at least half the levels on the Autumn Plains. It’s an absolutely beautiful game and is always a joy to play, and I’m enjoying the gimmicks and minigames that occur on almost every level which break up the gameplay quite nicely. I’m aiming for 100% completion for this one – none of the achievement trophies are tied up in multiplayer modes, so I could potentially manage it – so I feel absolutely no shame whatsoever in looking up how to do certain of the puzzles, which isn’t always obvious. Plus, it’s a great game to play when Kirsty and Jessie are around. Jessie likes the fact that Spyro can swim in this iteration of the game and loves playing around in the water on the Summer Forest level!

Last Month's Painting: Completed the Space Hulk set

Finally... the set is complete

This week I finally came to the end of my journey to completely paint my Space Hulk set. For those of you who have been following this blog for a while, you’ll know the story already: I obtained Space Hulk when I worked for Games Workshop in 2009, and even though I opened it and played it a few times with my mate Dave, I never got around to painting it. The reason for this is that I played the vast majority of war games in what was then Games Workshop, and what is now the Warhammer stores (though I’ve yet to play a game in one of those!) where there is a certain expectation for your models to be painted, or at least have some sign of progression, if you use them in the shop. The problem is that Games Workshop stopped supporting Space Hulk after the month it was released, so as I wasn’t going to play any games in the shop, it wasn’t a priority to paint them – not at the point where I perpetually had a tonne of Chaos Space Marines, Empire and Haradrim (one army from the three core game systems that it was expected I would have as a member of staff) that I needed to be painting! Dave, of course, didn’t mind the models not being painted, so even though we’ve really enjoyed playing the game in the past, the models remained unpainted for eleven years.

All the Terminators were very highly detailed...

That all changed when Lockdown began, and I found myself with a little (though surprisingly not much) more than the usual amount of spare time on my hands. I’d painted all the Chaos Space Marine Raptors I had for the Black Legion army I was working on, and while I did get some more eventually, I didn’t see any sense in going to any of the hobby shops to buy them while we were in lockdown. I had some of the old boxed sets in the loft of the flat I used to live in and decided to get the Space Hulk set down and paint them. I started with one squad of Terminators, then painted the twelve Genestealers that looked the most straightforward to paint. Both appeared in previous editions of the blog. I then painted the remaining squad of Terminators – including the dead one – and the leftover Genestealers, these didn’t make it on to the blog because I didn’t know what to say about them without repeating myself.

...and the Broodlord was a lot of fun!

Moving on, I painted the Librarian and the Broodlord. Both presented an additional challenge for me: As most folks who play 40K know, a Librarian’s armour is always blue no matter what chapter they’re attached to so that was a break from the red I’d been painting hitherto. I also went into a lot more detail with the weapons, face and armour than I did with the other models, as this was the “centrepiece” of the Terminator force in Space Hulk. With the Broodlord, this was much the same as the Genestealers I’d been painting up to that point but with an extra layer of colour on the flesh and carapace. There was also a lot more than the usual number of skulls and Terminator helmets that needed painting, and it took me a while, but I’m pleased with the result.

The finishing touches.

Finally, I painted the last little bits – the Artefact and the C.A.T. I didn’t spend a huge amount of time on these, but it was a lot of fun doing the jewels on the Artefact.

I’ve bought quite a few “build and paint” games in the last 10-12 years and this is the first time I’ve managed to do both with a complete set, so I’m pleased with that. Both factions presented a fresh challenge: The colour I painted the Blood Angels Terminators was the same as the colours I’d been painting my Word Bearers, but with more of an emphasis on the gold than the silver. The Genestealers were an altogether different experience, as I haven’t painted Tyranids many times before, and when I have, it’s never been in any significant numbers. Space Hulk is a great set, and I’m glad to have completed it.

Last Week's Games: The Sexy Brutale, Necromunda, Spyro 2, Crash Bandicoot 2, Warhammer Quest, Camel Up

 I missed last week, sorry about that – certain things going on at home meant that writing blogs was the last thing I felt like doing! I’ve been playing quite a few games in the intervening time though, so here they are:

You can get this for the Switch too, apparently...

The Sexy Brutale is a heavily stylised and utterly brilliant puzzle-adventure game for the PC, whereby you play a priest (I think) at a masked ball where all the guests get murdered. You must figure out not who murdered the guests, but how – and put the mechanisms in place to prevent it from happening. It’s a brilliant idea and a good game, but the fact that I’ve had to look up a guide to get through certain parts makes me wonder whether I have the stomach for this sort of game anymore.

The Zip line provides some much-needed
mobility into the game...

I went back to Necromunda on the PS4. I wasn’t so keen on this when I first bought the game, but it’s grown on me a little bit now that I’ve figured out the key differences between this and Mordheim. It’s a lot less reliant on random number generation – it is there but it’s also a lot easier to set up high percent hit chances. In its stead, the game is a lot more about action economy; the winner of the battle will come down to who can do the most things per turn, so it’s worth getting a few kills in the isolated gangers as soon as possible.

Moneybags will teach you to swim -
for a price...

I’ve also started playing Spyro 2: Ripto’s Rage. Regular readers will remember that I enjoyed Spyro the Dragon hugely last year, and it is a pleasure to play this one. I’ve been playing it quite a lot lately and I’m not even 20% of the way through the game yet. I’ve noticed that some of the collectables – the real challenge of the Spryo games – are tied up in abilities acquired later in the game, so there’ll be some backtracking this time around. This is neither a good thing nor a bad thing; it’s nice to see the character progress, but it’s also nice to have all your abilities unlocked at the start of the game. We’ll see how it goes!

Watch out for that plant; it'll eat you.

On those occasions where the N-Sane trilogy has been in the PS4 disc drive, I’ve been playing Crash Bandicoot 2 as well. As with Spyro, it is a game I can play when my daughter’s around, and an experience I can share with my girlfriend who likes games but isn’t interested in war! It’s fun and frustrating in equal measure; the frustration at missing daft 3D platforming sections (which kill you far more than any enemy in the game, I think I can almost guarantee that!) has to be there for the payoff, but once you do beat it, there’s an immense feeling of satisfaction.

Can you flatten them all with an Area of
Effect spell before the fight even starts?

I continued to play Warhammer Quest on the PC. I have a feeling this is going to be one of those times where I love the game because it’s Warhammer, but I’m going to have to concede that the game itself isn’t that great. It feels a lot like a Baby’s First Dungeon Crawler game, where you have characters and abilities to use, dungeons to explore, treasure to acquire and monsters to slay – all of which becomes  easy once your characters get to a certain level! But sometimes that’s all I want out of a game, so I’ll keep playing!

Yes, there's a new edition out.
But I kind of prefer this box art...

Kirsty and I also had a go at Camel Up last week, a board game about betting on racing camels. I remember playing this at the UK Games Expo in 2015 and I enjoyed it a lot more this time around when I could take the time to figure out the mechanics of the game, and what we were supposed to be doing. As a one on one game, it’s great because each of us were constantly reacting to what the other was doing. With multiple players, it would be a very different beast as there’s a higher chance that our ideal actions would go before our turn came around.

I suspect most of what I say next week will be a continuation of this, if a little more focussed! See you then.

Backlog Beatdown: Ascending to the God of Word with God of Word

About a year ago I decided I wanted to increase the speed of my typing and bought some typing games off Steam. The week before last, I decided to play one of them: God of Word, mainly because I wanted to be able to play something on my laptop without having to plug in my mouse!

What's the longest word you can make here?

God of Word is a word game where the main objective is to make a 3-7 letter word out of the given letters. This central mechanic is nothing that we haven’t been playing in our internet browsers for the last twenty years or so, but what sets this one apart is that it’s set in Ancient Greece, as a kind of paper puppet theatre set-up. The idea is that you’re a messenger – not Hermes, but probably a disciple of his – and you’re telling the story of how you journeyed from one side of the country to the other, delivering messages and battling monsters.

Each stage has a few different enemies and monsters for you to fight, and you have a set amount of time to beat them. To beat them, you must type your words in to build up your attack; you need to build a certain number of points and your letters score points based on their counterparts in Scrabble. Larger words are worth more points and do more damage. You can press tab to re-arrange the letters, and space to draw a new set of letters – but at the cost of around 10 seconds of time. It’s simple enough, and if that was all there was to it, God of Word probably wouldn’t be interesting. But the game deploys bonus tiles from time to time to offer you more incentives for using those letters: Red ones do more damage, yellow ones give you more time, blue ones give you more renown (experience, I think,) and gold ones give you, well, gold.

You won't be using that E for a minute or two...

Ah yes, gold and experience. God of Word also provides the lightest of role-playing game elements, by assigning experience points to increase your character’s attributes (that give you more time, increase your damage, etc) and at certain milestones in the game you can also buy more equipment. Better weapons do more damage and can have additional effects, and better armour gives you more time. It is necessary to do this to keep up with the way the game increases in difficulty as you progress, but it gives you some agency over which attributes to increase which builds your engagement.

I wonder what the remaining letter
could possibly be...

God of Word also manages to provide some variety in the levels. Every so often there is a “hangman” style minigame, where you have a certain number of guesses to spell a word and rescue a follower – but take too many guesses and they will die. The game has boss battles as well, which tend to work in one of two ways: In one way the game works as normal but with extra stipulations on the tiles. In the Medusa battle, for example, a letter will turn to stone if you don’t use it quickly enough, and it will take a while before you can use that letter again. The other way is a word blast, which has a couple of modes as well – either monsters or hazards come flying at you and will kill you if they reach you, or you have a certain unspecified amount of time to type a certain number of words before you die. These require some quick typing and some of them are hard – the Sirens took me a while!

This is an indie game built in the Unity engine, and while it lacks a certain amount of polish, it’s competently made. The graphics boast a distinctive art style; you either like it or you don’t, but it does what it needs to do. The sound is good as well, nothing to write home about but the effects are all in the right places and the music sounds epic enough (if a little anachronistic for the time period it depicts, but hey, most things are!)

God of Word won’t change the world, but it’s a fun game to pick up and play – and get lost in.

Final Score: 3/5: Worth a Look