Showing posts with label God of Word. Show all posts
Showing posts with label God of Word. Show all posts

Friday, 2 October 2020

Backlog Beatdown: Ascending to the God of Word with God of Word

About a year ago I decided I wanted to increase the speed of my typing and bought some typing games off Steam. The week before last, I decided to play one of them: God of Word, mainly because I wanted to be able to play something on my laptop without having to plug in my mouse!

What's the longest word you can make here?
God of Word is a word game where the main objective is to make a 3-7 letter word out of the given letters. This central mechanic is nothing that we haven’t been playing in our internet browsers for the last twenty years or so, but what sets this one apart is that it’s set in Ancient Greece, as a kind of paper puppet theatre set-up. The idea is that you’re a messenger – not Hermes, but probably a disciple of his – and you’re telling the story of how you journeyed from one side of the country to the other, delivering messages and battling monsters.

Each stage has a few different enemies and monsters for you to fight, and you have a set amount of time to beat them. To beat them, you must type your words in to build up your attack; you need to build a certain number of points and your letters score points based on their counterparts in Scrabble. Larger words are worth more points and do more damage. You can press tab to re-arrange the letters, and space to draw a new set of letters – but at the cost of around 10 seconds of time. It’s simple enough, and if that was all there was to it, God of Word probably wouldn’t be interesting. But the game deploys bonus tiles from time to time to offer you more incentives for using those letters: Red ones do more damage, yellow ones give you more time, blue ones give you more renown (experience, I think,) and gold ones give you, well, gold.

You won't be using that E for a minute or two...
Ah yes, gold and experience. God of Word also provides the lightest of role-playing game elements, by assigning experience points to increase your character’s attributes (that give you more time, increase your damage, etc) and at certain milestones in the game you can also buy more equipment. Better weapons do more damage and can have additional effects, and better armour gives you more time. It is necessary to do this to keep up with the way the game increases in difficulty as you progress, but it gives you some agency over which attributes to increase which builds your engagement.

I wonder what the remaining letter
could possibly be...
God of Word also manages to provide some variety in the levels. Every so often there is a “hangman” style minigame, where you have a certain number of guesses to spell a word and rescue a follower – but take too many guesses and they will die. The game has boss battles as well, which tend to work in one of two ways: In one way the game works as normal but with extra stipulations on the tiles. In the Medusa battle, for example, a letter will turn to stone if you don’t use it quickly enough, and it will take a while before you can use that letter again. The other way is a word blast, which has a couple of modes as well – either monsters or hazards come flying at you and will kill you if they reach you, or you have a certain unspecified amount of time to type a certain number of words before you die. These require some quick typing and some of them are hard – the Sirens took me a while!

This is an indie game built in the Unity engine, and while it lacks a certain amount of polish, it’s competently made. The graphics boast a distinctive art style; you either like it or you don’t, but it does what it needs to do. The sound is good as well, nothing to write home about but the effects are all in the right places and the music sounds epic enough (if a little anachronistic for the time period it depicts, but hey, most things are!)

God of Word won’t change the world, but it’s a fun game to pick up and play – and get lost in.

Final Score: 3/5: Worth a Look

Friday, 25 September 2020

Last Week's Games: James Pond 2: Codename Robocod, Necromunda: Underhive Wars

 I’ve got quite a bit to say about the games I’ve been playing this week. I don’t know how much of it is going to make sense; I’m not very well today. But we’ll see how I get on:

The first thing I should say is last Friday I reached the end of the main campaign of Not Tonight; you can read my review here. I’ve enjoyed it, and it hasn’t outstayed its welcome so I might give the extra part of the game called One Love a go as well, but I haven’t got much more to say at this point.

I also reached the end of God of Word. As a game that I installed onto my laptop so that I’d have a game on there I could play without necessarily having to plug in my mouse, it certainly served its purpose, and I managed to spend quite a long time playing it over the last few weeks! I’m hopefully going to get a review out on Friday so I’m not going to say too much about it now, but it was a good time.

Back in the day when pickups increased your
score and didn't have to make any sense...
It was my birthday last Wednesday and my daughter Jessie bought me a game for the Nintendo Switch: James Pond 2: Codename Robocod. The James Pond series never really broke out of the fourth console generation (Megadrive / Super Nintendo) and hasn’t had the longevity of some of its contemporaries, but they’re still fun to play. A couple of my friends at school had Codename: Robocod, so I’ve played it a few times before, but never beaten it. It’s a side-scrolling platform game where you traverse colourful locations in Santa’s workshop, fighting your way through traps, hostile creatures and rescuing hostages. Interestingly, of all the James Pond games, it was Codename: Robocod that was ported and re-made onto several consoles after its generation, with some differences including level layout, music, and hostages. I have a vague memory of the hostages in the old versions of the game being penguins; these days they are Santa’s Elves – I suspect mainly because the penguins in the original game were a product placement for the McVities Penguin Bars, and the sponsorship deals have long since expired. The game was altered several times over the generations it was released on, so I don’t really know which version I’m playing – it could be that there was a new version entirely for the Switch!

I bet she's a sight for sore eyes...
Finally, on the PlayStation 4 I’ve been playing Necromunda: Underhive Wars. I’d been looking forward to this game for a long time and is one of the very few games in years I have bought close to release. I’d rather have got it on PC to tell you the truth, but for some reason it’s not designed to work on Windows 8.1 (My PC specs are fine in most other respects, but I wasn’t going to waste my money risking a purchase when it says on the Steam webpage it will only work on Windows 10.) So, I bought it on the PS4. Now, some of you will know that Mordheim: City of the Damned is one of my favourite games, and Necromunda looked like it was going to work much the same way but with guns. And it does – but there are other things going on as well. The campaign – the small amount of it I’ve played, anyway – is far more narrative than Mordheim, with each mission I’ve played so far supporting a plot point. I haven’t tried making my own gang yet, as the story mode drops you in with the Escher gang and presumably allows you to explore the other gangs (Goliaths and Orlocks) as you proceed. I’m not sure whether I like this or not – part of the fun of Mordheim for me was taking your warband through its own story and progression and having the occasional mission to do in between to move the plot along. I appear to have less agency over how the Necromunda gangs develop, but we’ll see how it goes. It may take some getting used to but I’m sure I’ll find the fun in it; it’s a GW game and I usually like those by default!

Thursday, 17 September 2020

Last Week's Games (or whenever it was; I've lost track!) : Not Tonight, God of Word

The original draft of this blog was supposed to open with a paragraph about how I’d only recently published the previous blog and didn’t have much more to say, so I focussed on games I’d been playing the week before. Then I forgot to publish it. Thankfully, I got to the end of last week with precious little more to say, so these notes are equally applicable. I’ll try to have something a little more interesting to say by the next one!

Most of what happens in this game is pretty grim...
I had another go at Not Tonight, the queue management game that I’ve been playing on the Switch. Some of you may remember that while I thought it was a good game, I was struggling with the humour as the situation it describes was just a bit to close to reality. Coming back to it after a few weeks, I found I was able to take it a little more on the chin and enjoy the game a lot more. I got as far as the second chapter in the game, where it adds some very uncomfortable mechanics. One is the dress code system – some venues don’t allow you in if you’re wearing beach gear.[1] But the most horrific one is the need to manage your own health. How this works is that you’re hit with a huge medical bill after the NHS gets privatised (which hasn’t happened in reality yet, but I don’t hold much hope for the future as long as this government is in charge of it!) and then you get a tracker on your own health. It’s affected positively by things like the condition of your flat, heating and bed, and negatively by things like going to work. It’s necessary to buy certain things to keep your health up like a fridge and a heater, but also you have rent and bills to pay and if you fail a level, you lose the money you would have got from it. Having low health but needing the money for bills that were already in arrears, I took my character to work for the evening, and found out he’d died during the night.

Now the game gives you the option to go back to any of the previous days and carry the game on from there. However, I thought I’d do a lot better by starting the game again and, now that I had a better grasp of the rhythm of the game, turn around a lot more money by the time I get to the second chapter. I learned a few crucial things – you can use the X button to find out the requirements for each level, (very useful when deciding what does and doesn’t count as “beach wear,” cheers Kieran!) You don’t need to allow the entire guest list in, (which takes a bit longer to do,) and you get to keep the money from bribes and drug deals whether you beat the level or not – that’s very useful.[2] So I’m doing as much of that as I possibly can, and I’m still only barely getting by but at least I’ve got everything I need for the flat now!

I also downloaded a game I bought about a year ago and hadn’t got around to yet – God of Word. This is a word game set in Ancient Greece, where your character is trying to get a message to the king of Thebes, I think, and you must beat the monsters in your way by typing words rapidly. It’s a Unity engine game and lacks a certain polish, but I’m having fun with it so far. My main motivation for this was to have a game I could play on my laptop without having to plug my mouse or controller in; it’s a faff to have to do that when I just want to play a game for ten minutes!



[1] This required some suspension of disbelief as well, incidentally, since the venue in question is in Swindon, Wiltshire. I went out with someone who lived in Swindon for four and a half years. There’s no beach there. I’d have noticed.

[2] Reading that back, it’s a good thing everyone knows I’m talking about video games here…