Showing posts with label Take Back Control Edition. Show all posts
Showing posts with label Take Back Control Edition. Show all posts

Friday, 18 September 2020

Backlog Beatdown: Not Letting People In Tonight with Not Tonight

Not Tonight is a game that I’d seen some coverage on during the time it was released for PC in 2018. I’d heard it described as somewhere between Brexit: The Game and Papers Please, and for that reason didn’t buy it for PC – even to this day I’m hearing about Brexit on an almost daily basis, and I already have Papers Please, so I didn’t feel any massive need to buy this game. Then Kieran, with whom I play in a band called Raphaella Kornarskis,[1] told me it was for sale on the Nintendo Switch and I should give it a go. So that’s what I did. Here’s what I found:

"Take Back Control." Hmm.
In Not Tonight, you play as a person of European Heritage in a post-Brexit Britain, who lives in a flat/habitation block and must work as a bouncer to earn enough money to prevent deportation. The game works on three levels: Your working patterns as a bouncer, managing your money and living conditions to prevent game loss through deportation or untimely death due to ill health, and working to support the resistance against the far-right Albion First government.

Your gig as a bouncer is where the bulk of the gameplay lies. You must check people’s identification and other documents to allow them into pubs, night clubs, parties or wherever it happens to be. Initially, you’re just checking that they’re old enough, the photos match the person and the ID card is still in date, but as the game progresses, you have to deal with things like Guest Lists where you have to manage two queues, VIPs who need no ID but you only have a short amount of time to get them in with the correct password, hidden objects, dress codes and nationalities. The game allows you to make a few mistakes, but not many, and if you let too many people in who shouldn’t be in, you get fined or lose the level all together.

Guest Lists: all the faff of checking ID -
AND checking if their name is on the list.
Managing your status is crucial as well. Initially you only have to worry about paying bills and can just about make enough money to do it, but as the game progresses, you’ll find that you start getting billed for things like rent and tax, plus you necessarily have to make improvements to your flat otherwise your health suffers. The only easy way to make enough money to do this is to do some work on the side – Some punters, for example, will offer you bribes if you initially refuse to let them in. Many of them will buy drugs off you if you can buy and supply them. And any money you make off this will stay with you whether you finish the level or not – but do it too much, and your Social Credit will fall to the point of losing the game entirely.

Finally, there’s an ongoing plot about the resistance: You must complete several tasks within the game to build your position in the resistance to activate the final plot device and get the best possible ending.

Later on, you start pulling duties on
government checkpoints. Sounds familiar...
The game runs reasonably well on the Switch; only once did I ever experience a bug in the game. The controls work well enough, though the arrow buttons are sometimes a little fiddly. The graphics are pixel art which have the delightful combination of looking dated but at the same time consistent and enduring, meaning the game will still look as good in 10 years. The sound is limited to some basic effects and mumbled dialogue, but the music is great. Not Tonight does have a rather British tongue-in-cheek sense of humour about it, and while I struggled with it initially (I’m afraid I don’t find the idea of Brexit the slightest bit funny,) eventually I was laughing along with the jokes it made. It’s more linear and binary than Papers Please; you don’t need to balance out your government’s obvious disdain for you with the desire to be a decent human being, but this makes it its own game and it tells the story it wants to tell.

Not Tonight is not for everyone, but if you’re interested, give it a go.

Final Score: 4/5: Great Game.



[1] It’s my blog, I’ll promote my band if I want to.

Tuesday, 4 August 2020

Last Week's Games: Not Tonight and Enchanted Forest

This week I’ve played a new game on my Switch: Not Tonight. I’ve been playing it for a while now; it’s left me with a few things to say, and be warned: some are political…

Here we manage a guest list
and a regular line...

It’s a difficult game to describe, but if you could imagine a point between Papers Please and Brexit: The Game, that’s about where we are. In a version of the UK that had left the EU by 2018, a second-generation European immigrant has been confined to poor living conditions and has been forced to take a job as a bouncer in order to raise the £2500 per month needed to prevent him from being deported. You take jobs from some venues in the local area (beginning in the South West of England,) and the aim of the game is to manage the queue to get in to allow a certain number of people into the venue in roughly four hours of game time. You’ll be checking people’s ID – against their age to begin with, but the game soon escalates with guestlists, fake IDs, prejudice against people from certain countries, and the pressing need to keep on top of your own finances. This results in you having to micro-manage two queues and dealing with a horribly short time limit to get everything done – but get it done you must, or you will lose the game.

Even the title screen is sneering at Brexit...

Not Tonight is an odd game. The mechanics work well enough and make for an interesting and engaging experience. But beyond that, it seems to have a lot to say as an art form – or at least, how the developers thought a post-Brexit Britain might look like. As a British-born European on the edge of being deported, you’re treated with the upmost contempt from higher authorities than you, regular contempt from your bosses who are relying on you to make their night work (even the more friendly ones can’t resist a bit of Euro-baiting condescension,) a certain amount of grudging respect from people who are waiting in line to get in to their chosen venue, and the only people who treat you as equals are the other European people who are in a similar situation. It’s not without a sense of humour: even if Britain had left the EU as soon as the referendum result came in, the earliest it could have done so would have been roughly half-way through 2018, not at the beginning of it when the game starts, and even the most capricious racist is unlikely to be as open about it as the game suggests, so it’s obviously not meant to be taken too seriously. The problem for me is that as I sit on the pro-EU side of this situation, and I’m genuinely concerned for what Brexit is going to mean for my future for reasons I’m not going to go in to now,[1] some of the intended humour was lost on me. In a way, playing Not Tonight was a bleaker experience than Papers Please, as at least I’m a long way from the political situation the latter was purporting to represent. But ultimately, it is an uncommon experience that I’m glad I’ve had. Let’s hope I can see it through to the end!

The treasure is under the trees - who will find it first?
Beyond that, I’ve been on a bit of a painting kick – mainly because I’ve started a new painting section to the blog that I run alongside this, and I wanted to be able to say I’d painted something in the month of July! (Here’s the first edition, erroneously titled Last Week’s Painting.) For that reason, I spent a lot of my free time last week painting rather than playing games, but I did have a go with Enchanted Forest, a game about hunting for fairy-tale treasures in the titular forest. It’s OK – it appeals to my daughter because she likes fairy tales and treasure hunting, but the mechanics aren’t particularly well-designed, and it can get very one-sided towards the end of the game. Nonetheless, we enjoyed it while it lasts and will probably play it again.


[1] Mainly because trying to explain my concerns to people who voted leave has the same general effect as trying to headbutt a rhinoceros to death.